Event Series
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature
Having used fish imagery for years, Smith has begun using fewer glazes and is trying different combinations, playing with glaze depth and firing temperature