The toys are back in town one last time for Toy Story 4, a superfluous but satisfying sequel to the seemingly conclusive Toy Story 3 from nine years ago.
As someone who wasn’t quite as taken with that third entry as others seemed to be, I was relatively open to another Toy Story adventure while still acknowledging that this could just be another excuse for Pixar to return to their cash cow once more. While this latest film does reincorporate many of the themes from the previous entries, it mines enough fresh ideas from its collection of new characters to make it a worthwhile addition to the series.
We pick back up with Woody (Tom Hanks), Buzz (Tim Allen) and the rest of the gang, who are all now possessed by a kindergartner named Bonnie (Madeleine McGraw). On her first day at school, she unknowingly gives life to a new toy named Forky (Tony Hale) while merging a spork with pipe cleaners at craft time. When Bonnie and her family hit the road for family vacation, we’re introduced to new toys like the daredevil Duke Caboom (Keanu Reeves) and the pullstring doll Gabby Gabby (Christina Hendricks) while being reintroduced to Woody’s old flame Bo Peep (Annie Potts).
Opening with an exceptionally well-animated flashback that fills us in on Ms. Peep’s whereabouts, the film gets off to a bit of a slow start until Forky makes his first appearance. His character, a dilapidated creation who considers himself more trash than toy, is easily the most conceptually inspired and comedically gratifying of the entire film. The existential dilemma that drives the forlorn utensil to catapult himself into the waste basket time and time again is darkly humorous while adding some unexpected philosophical weight to boot. Although the context is different, Woody’s mission in this film mirrors that of the first Toy Story: convincing a toy that they’re actually a toy.
Once the family packs up the RV and heads out of town, most of the action takes place inside the Second Chance Antiques shop, where Gabby Gabby resides with her creepy ventriloquist dummy henchmen. The chase sequences that take place in the store are nothing new to this series but the setting, filled with cobweb-drenched corridors pierced by smatterings of sunlight, is stunningly detailed and hauntingly beautiful in a completely original manner. A brief moment between Bo Peep and Woody as they behold the light from a chandelier display features a caliber of animation that Pixar only could have dreamed of when Toy Story first premiered 24 years ago.
While this is the best-looking chapter in the franchise, I would consider it the funniest as well, thanks to a clever script from Stephany Folsom and Pixar veteran Andrew Stanton. It’s also no surprise given that comedy duo Keegan-Michael Key and Jordan Peele lend their voices this time around. A scene in which their two plush toy characters talk through a series of extraordinarily amateurish plans to obtain a door key might be one of the funniest gags I’ve seen all year.
Toy Story 4 may be one trip to the toy chest too many for some, but those who are open to another glimpse of this pint-sized world will be rewarded for their curiosity.
Coming to theaters this weekend
Annabelle Comes Home, starring Patrick Wilson and Vera Farmiga, is another entry in the Conjuring series and third film about the titular creepy doll who returns to wreak havoc on a new family.
Yesterday, starring Himesh Patel and Lily James, centers around a young musician who wakes up from an accident and finds that the rest of the world is unaware of The Beatles’ existence.
The Dead Don’t Die, starring Bill Murray and Adam Driver, brings together an all-star cast for a horror comedy about a small town that becomes the target of a zombie invasion.
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July 27 • The Clyde