With reading glasses perched at the tip of his nose and a brush spiked with just a few, well-manicured hairs in his hand, Sam Hoffman begins another hour of painting.
His tiny paintbrush lays down thin lines and meticulous detail that many of us of a certain age, can’t fully appreciate without the aid of magnification. Detail and accuracy are Hoffman’s trademark; he is able to put oil paint on a canvas with the control of a surgeon. Think tiny, tiny men, Naval officers smaller than one’s fingernail lining the perimeter of a massive warship. These guys aren’t painted as fuzzy hints of figures but rather each is fully decked out in uniform, and facial features suggest their unique personalities.
One can guess that Hoffman’s commitment to accuracy can, in part, be attributed to his time spent in the Navy where he took documentary photographs. The ships that serve as the subjects of many of his paintings come from the photographs Hoffman collected over his 10 years of service.
After his time in the Navy, Hoffman earned a photojournalism degree from Indiana University, Bloomington. You may be familiar with his work; he’s been shooting pictures for the Journal Gazette for the past 27 years. Look online or in print, you can’t get away from Hoffman’s pictures. He shoots everything – from art to house fires – but these days he is partial to assignments that lead him to Parkview Field to catch a TinCaps game.
Hoffman is of the generation of photographers who worked through the transition from film to digital. For him, when the switch was made, much of the creative process was taken away.
“After the Journal closed their darkroom I kept a wet darkroom at home, but even that wasn’t satisfying enough. I could make a really nice print in 15 minutes, but then the process was over. I could even make 20 copies of that print, but it just wasn’t enough,” says Hoffman.
According to the artist, he craved a medium that demanded more time and more input on his behalf. He went to his wife, Jan Hoffman, who is also a practicing artist and art educator for help. She first led him to watercolor, which was a quick turnoff.
“I wasn’t good enough for watercolor because once you make a mistake, you can’t go back. You can’t paint it out,” he says, explaining why he switched to oils 15 years ago.
His early paintings were those of the aforementioned ships, but he struggled with those as well.
“It’s hard to paint water in an acceptable way when you live 13 hours away from the ocean.”
Feeling deprived of resource material, Hoffman moved forward with what he describes as urban realism, paintings of people living and moving through a city setting.
He enjoys the challenge of the human figure. The proportions that are vital to keeping a human looking like a human are intriguing and absolute. Early sketches and compositions of Hoffman’s paintings are plotted and marked with dozens of carefully laid measurements.
“I had to sketch this one out four times,” he says when describing a current example of his work. “Sometimes the math just doesn’t work out. That’s why I don’t do watercolor.”
Not surprisingly, Hoffman turns to photographs rather than live models as reference for his paintings. During a summer visit to Paris, he, his wife and daughter collectively brought home over 2,500 images of the city. Feeling the exuberance of new inspiration, he already has three new paintings in the works, all of which are composed from the Paris collection.
When Hoffman begins a new canvas, he first puts down lines with charcoal. Not with pencil, mind you, as he explains the graphite can separate and float up through the paint, making the preliminary drawing visible in the finished painting.
When satisfied with the preliminary drawing, which provides him with landmarks and essential points from which he will grow the painting, Hoffman makes the outlines. He chooses his colors with intention and makes the first outlines with raw umber which (Hoffman interjects a fun fact) dries faster than most colors and allows the artist to move forward with less wait time. Payne’s Grey follows, blocking out the shapes. He next moves on to adding color to create areas of shadow and light. He works forward in the painting, adding layer by layer until he reaches the point of fine detail.
While Hoffman’s life’s work has ingrained the need for accuracy and realistic representation of his subjects, something inside the artist is pulling him to make a change.
“I’m trying to loosen up. I think it just looks better,” he says. “I’m influenced by Edward Hopper – not so much detail but more color and light. I wish I could do that.”
Hoffman is pushing himself out of his comfort zone. He’s trying new techniques, handling his brush in different ways.
“It’s hard to get away from the detail. So many years of photography ... it has to be realistic ... you can’t change things. As a journalist you can change a bit of the contrast, but you can’t change anything fundamental in the photograph. It took me many years of painting to realize that I don’t have to do that. I can take three photographs and meld them together to make a new painting. I can change that. It’s okay. I should change that!”
The massive collection of photos brought home from Paris has inspired Hoffman to continue to push himself into new territory. A particular photo, one of women gathering at a café huddled together to look at a single cell phone, seemed an interesting challenge for the artist.
“I’m really going to have to loosen up,” he says. “It’s really going to be a challenge for me because there’s so much detail in the shadows – all the angles of the elbows.” Hoffman’s mind drifts and focuses on the piece currently on his easel as he seems to visualize the next steps he plans to take.
Hoffman’s dedication doesn’t go unnoticed. He recently received the Juror’s Recognition Prize at the prestigious Hoosier Salon. He has shown work in galleries in Oregon, North Carolina and at the National Museum of Naval Aviation in Pensacola, Florida. He currently has nine pieces hanging at Castle Gallery which will be on view until mid September.
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Art on Broadway — Tours of 5 downtown venues featuring art from Alexandra Hall, Julie Wall, Peter Lupkin, Daniel Dienelt, Knotodday, Kay Gregg, Terry Ratliff and St. Monci, 5 p.m. Saturday, March 25, Broadway Street, Fort Wayne, free, 417-5925
Beer, Bourbon, Bacon Festival — Unlimited beer sampling from national and regional craft breweries, fine bourbon sampling and bacon inspired treats, 6-9 p.m. Saturday, March 25 (5-9 p.m. VIP), Marquis and Three Rivers Ballrooms, Hotel Fort Wayne, Fort Wayne, $35-$75, 484-0411
An Evening with Author Tom Frank — Author of What’s the Matter with Kansas talks about his new book; hors d’oeuvres, lecture and book signing included in admission, 6 p.m. Saturday, March 25, CS3 Hideaway, Fort Wayne, $15 plus donation, 602-1008
Puttin’ on the Ritz —Active 20-30 club fundraiser with live music from Chris Worth and Company, gourmet edibles, wine and beer, live and silent auctions; black tie optional, 7 p.m. Saturday, March 25, Fort Wayne Museum of Art, Fort Wayne, $50-$90, 450-2844
Shipshewana on the Road — Food, craft and primitives show and sale, 9 a.m.-6 p.m. Saturday, March 25 and 10 a.m.-5 p.m. Sunday, March 26, Allen County War Memorial Coliseum, Fort Wayne, $4, 483-1111
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Big Dick and the Penetrators — Classic rock at Navy Club, Ship 245, New Haven, 7-11 p.m., no cover, 493-4044
Brat Pack — Rat Pack/variety at Nick's Martini & Wine Bar, Fort Wayne, 9 p.m., no cover, 482-6425
Cougar Hunter — 80s glam rock at Vinnie's Bar, Decatur, 10 p.m.-2 a.m., $5, 729-2225
Ellsworth Sharp — Neofolk at Friendly Fox, Fort Wayne, 6:30-8:30 p.m., no cover, 745-3369
FBC Band w/Sheba — Variety/Music and Memories benefit at C2G Music Hall, Fort Wayne , 8 p.m., $7-$15, 426-6434
Fireball Matinee — Rock at Hideaway Lounge, Bluffton, 9 p.m.-12 a.m., no cover, 824-0455
Fleshwounds — Rock at Hamilton House, Hamilton, 9 p.m.-1 a.m., no cover, 488-3344
Fort Wayne Funk Orchestra — Funk at Dupont Bar & Grill, Fort Wayne, 9:30 p.m., cover, 483-1311
Fu5ion — Variety at Mitchell's Sports Bar & Neighborhood Grill, Fort Wayne, 10 p.m.-2 a.m., $3, (260) 387-5063
The Illegals — Rock at O'Sullivan's Italian Irish Pub, Fort Wayne, 10 p.m.-1 a.m., no cover, 422-5896
Joe Stabelli — Jazz at Don Hall's Gas House, Fort Wayne, 5:45-9 p.m., no cover, 426-3411
John Curran & Renegade — Country at Alley Sports Bar, Pro Bowl West, Fort Wayne, 9 p.m.-1 a.m., no cover, 483-4421
Johnny Freakin' Xcitor — Country rock at Beamer's Sports Grill, Fort Wayne, 9:30 p.m.-1:30 a.m., no cover, 625-1002
Kat Bowser — Variety at Don Hall's Guesthouse, Fort Wayne, 9 p.m.-12 a.m., no cover, 489-2524
The Orange Opera w/Mickyle James — Rock at Brass Rail, Fort Wayne, 10 p.m., $5, 267-5303
Prime Suspects — Variety at American Legion Post 499, Fort Wayne, 8-11 p.m., no cover, 483-1368
Quincy and the Q-Tet feat. Phil Potts — Rock/variety at Downtown Eatery & Spirits, Warsaw, 10 p.m.-1 a.m., no cover, (574) 267-6000
Second Nature — Pop at Crazy Pinz, Fort Wayne, 8-11 p.m., no cover, 490-2695
Shannon Persinger Quartet — Jazz/variety at Club Soda, Fort Wayne, 9 p.m.-12 a.m., no cover, 426-3442
Todd Harrold & Nick Bobay Duo — R&B/blues/variety at American Legion Post 148, Fort Wayne, 7 p.m., no cover, 423-4751
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Ambitious Blondes Karaoke — Variety at Office Tavern, Fort Wayne, 10 p.m., no cover, 478-5827
Beat Karaoke & DJ — Variety at American Legion Post 296, Fort Wayne, 8 p.m. , no cover, 456-2988
Bucca Karaoke w/Bucca — Variety at Tower Bar & Grill, Fort Wayne, 10 p.m., no cover, 436-6310
Classic City Karaoke w/Bryan Lee — Karaoke at Corner Pocket Tavern, Fremont, 10 p.m., no cover, 495-9255
Classic City Karaoke w/Tobin — Karaoke at Toad's Tavern, Monroeville, 10 p.m., no cover, 623-6226
DJ Shawn — Karaoke/variety at Club Paradise, Angola, 10 p.m., no cover, 833-7082
Fort Wayne Karaoke — Karaoke at Latch String Bar & Grill, Fort Wayne, 10:30 p.m., no cover, 483-5526
Fort Wayne Karaoke w/Brian — Variety at AJ's Bar and Grill, Fort Wayne, 9 p.m., , 434-1980
Fort Wayne Karaoke w/Josh — Variety at Arena Bar & Grill, Fort Wayne, 10 p.m., no cover, 557-1563
Fort Wayne Karaoke w/TJ — Variety at Chevvy's, Fort Wayne, 10 p.m., no cover, 436-4748
House DJ — Variety at Early Bird's Ultra Lounge, Fort Wayne, 9 p.m., cover, 483-1979
House DJ — Variety at Flashback on the Landing, Fort Wayne, 9 p.m., cover, 422-5292
Karaoke — Variety at Crooner's Karaoke Bar, Fort Wayne, 10 p.m.-3 a.m., no cover, 486-1979
Live DJ — Variety at Wrigley Field Bar & Grill, Fort Wayne, 10 p.m., no cover, 485-1038
Shooting Star Prod. w/Barbie — Variety at Uncle Lou's Steel Mill, Fort Wayne, 10 p.m., no cover, 436-5787
Shooting Star Prod. w/Stu — Variety at Pike's Pub, Fort Wayne, 10 p.m., no cover, 478-6200
Sidecar Gary's Karaoke & DJ — Karaoke at Kville Pub, Kendallville, 9 p.m.-1 a.m., no cover, 348-1677
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The Children’s Hour — Lillian Hellman’s seminal drama about bigotry perpetuated against the LGBT community and how easily a lie can spread, 7:30 p.m. Saturday, March 25, First Presbyterian Theater, Fort Wayne, $12-$20, 426-7421 ext. 121
Getting Sara Married — Comedy about an unmarried lawyer in need of a husband (according to her aunt), 7 p.m. dinner, 8 p.m. curtain, Saturday, March 25, Arena Dinner Theatre, Fort Wayne, $40 (includes dinner & show), 424-5622
One Foot in the Gravy — Howard Kingkade’s comedy and winner of Fort Wayne Civic Theatre’s Northeast Indiana Playwright Festival, 8 p.m. Saturday, March 25; 2 p.m. Sunday, March 26, Arts United Center, Fort Wayne, $10-$20, 422-4226
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22nd Annual Valentine’s Invitational — Works from local and national artists, Tuesday-Saturday and by appointment thru March 31, Castle Gallery Fine Art, Fort Wayne, 426-6568
2017 Scholastic Art & Writing Awards — Award-winning works from northern Indiana and northwest Ohio middle and high school students, Tuesday-Sunday thru April 9, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Afros: A Celebration of African Hair by Michael July — Contemporary photography exhibit by Brooklyn author/photographer, daily thru April 14, D’Agostino Art Gallery, Indiana Tech, Fort Wayne, 399-8626
An Artful Spring — Works by Gwen Gutwein, Patricia Weiss, Austin Cartwright and more, Tuesday-Saturday thru March 31, Crestwoods Frame Shop & Gallery, Roanoke, 672-2080
Decatur Sculpture Tour — 31 original sculptures and 15 permanent exhibits on display, walking tour maps available, thru April 1, Decatur, free, 724-2605
Echolilia — Works from Timothy Archibald and his autistic son, Eli, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Entropy — Daniel Swartz solo exhibition explores relationship between death and mourning through combinations of mythology, mathematics, multi-dimensional physics and pop culture, Monday-Saturday thru April 1, Jennifer Ford Art, Fort Wayne, 740-1309
Diane Allen Groenert — Exhibition of local artist’s Downtown Series and new works, Monday-Saturday thru June 24, West Central Microcreamery & Cafe, Fort Wayne, 415-9293
Expressions of Existence — An exhibition of works by artists through history, including Jackson Pollock, Andy Warhol, Francisco Goya and others whose works have been influenced by disabilities, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Fort Wayne Artist Guild Exhibitions — Works by Alice Siefert at Aldersgate United Methodist Church, Jennifer Caudel at Allen County Retinal Surgeons, Anita Trick, Citizens Square (2nd and 3rd floors), Darlene Selzer Miller at The Einhaus Group for Women’s Health, Patricia Weiss at Heritage of Fort Wayne, Emily Jane Butler at Ophthalmology Consultants (Southwest), Linda Binek at Ophthalmology Consultants (North), Carolyn Stachera at Rehabilitation Hospital of Fort Wayne, John Kelty at ResCare Inc. Adult Day Service, Wiletta Blevins at Town House Retirement, Karen Bixler at Visiting Nurse Hospice and Barb Yoder and Karen Harvey at Will Jewelers, thru April 30, fortwayneartistguild.org.
Fort Wayne Photographers Club — Exhibition featuring local photographers, Tuesday-Sunday thru April 30, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Garden Party — Garden-themed works in a variety of mediums from over 30 local artists, Monday-Saturday thru March 31, Orchard Gallery of Fine Art, Fort Wayne, 436-0927
Generations: A View of Who Was Who — Works by Romare Bearden, Kara Walker, Alma Thomas, Jacob Lawrence and other African-American artists, Tuesday-Sunday thru April 9, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Glass: A Medium in Art and Automobiles — Dale Chihuly blown glass and fiberglass auto, daily thru Sept. 8, Auburn Cord Duesenberg Museum, Auburn, $7.50-$12.50, 925-1444
A Mary Poppins Garden Party — Child-oriented garden exhibit, Tuesday-Sunday thru April 1, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Moments in Time: Reflecting on the Human Spirit — Elizabeth Opalenik photographs from her recent Amish series A Journey Home and her Reflecting on the Edge exhibition, daily thru March 26, Visual Arts Gallery, IPFW, Fort Wayne, 481-6709
Outdoor Sculpture Invitational — Fifteen outdoor sculptures from regional artists, daily thru April 30, School of Creative Arts campus, University of Saint Francis North Campus, Fort Wayne, 399-7999
RAW. Untamed. Unashamed. Visions of Freedom. — Abstract romanticist works in acrylics and epoxy from Kristy Jahn, Fridays and Saturday-Thursday by appointment thru March 25, The Gallery at Pranayoga, Fort Wayne, 423-9642
Sharon — An exhibition of Leon Borensztein photographs chronicling the struggles he faced raising his severely disabled daughter, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Wabash County Schools Exhibition — Works by high school art students, daily thru April 16, Clark Gallery, Honeywell Center, Wabash, 563-1102