Karen Thompson, the revered educator and much-admired photographer, may have finally found her la querencia, that place staked out in the arena by the bullfighters to provide sanctuary from the menacing charges of their adversary or, in this case, the challenges of these difficult times.
Don't read that the wrong way. Although she's retiring after nearly 30 years of teaching at IPFW and most recently at the University of Saint Francis, the strikingly handsome and articulate inspirer is just changing venues, not her life's work of documenting and storytelling.
To celebrate her exit and egress, the USF is staging a Retrospective opening Saturday, August 28 and running through October 2 at the Weatherhead Gallery on campus. Retrospective features some 50 pieces reflecting her contribution to the visual arts, and it is a humdinger.
Thompson was on the learn-as-you-go plan during classes at the University of Iowa, and one of her lessons realized after three years was that she didn't have what it takes to be an artist, at least as measured by her accounting.
"My last semester in search of a degree included photography, and it was then that I found my medium. A 35mm Kodak Pony, if I remember correctly, was my first camera, Thompson recalled. In photography I found a release. Not just a release from the labor-intensive work of painting, printmaking, sculpture and ceramics, but I was able to do more, maybe not better in quality but more in quantity. And in all of that I discovered a voice I was comfortable with. A medium that allowed me to say what I was trying to communicate."
Years later, the results speak for themselves. Just ask any of hundreds of former students and colleagues and collectors who have come in contact with Thompson and her work. That list includes both BP and AP as in before Photoshop and after Photoshop.
That period when alchemy reigned in pools of chemicals and contact sheets gave way to manipulating digitalized pixels some eight years ago for Thompson. She was at once initially intrigued and appalled. Maurice Papier, then the Art Department chair at USF, announced that all the instructors would be learning the new medium together.
"I was so reluctant, and then even more so when Maurice told me I was going to be teaching the course. I think I spent time every day for an entire year, plus workshops and seminars, to get a grasp of the tools. To me it is like learning a language (she studied several in college): first you learn the alphabet, then its grammar, then sentence structure, then conversation or dialog, and finally you can tackle poetry," Thompson explained.
"The program (Photoshop) is really a time thief. Like a bandit, it steals time," Thompson continued. "I remember once during that time my teenage daughter briefly interrupted my work at the computer at home to tell me she was going out. When she opened the door and reappeared before me, I thought she was coming back to pick up her car keys or something she had forgotten. It was then I realized she'd been gone for two hours and I was still exploring some single element of Photoshop."
Since her apprenticeship Thompson has gone on to master the nuances of the software and hone her message. Like all artists she uses her skills to focus the attention of her viewers. "You're not always going to be with your art. You're not going to be there to narrate it," she tells her students, so it is critical that the work inform itself.
"Therefore," Thompson concludes, "exaggeration is sometimes necessary to get your idea across." To illustrate her point Thompson related an episode involving her sister, who is, shall we say vertically challenged.
"At family get-togethers the rest of us would get down on her for hyping, even lying in the telling of her stories. She responded with 'When you're being interviewed for a position in a chair across from a desk and your feet are dangling above the carpet. What would you do?"
As to the exhibit - it wasn't to be hung until after this article was due - I can only go by the reproduced images in the well crafted four-color invitation produced by Thompsons son-in-law, Jeff Dollens of HPN, the marketing force for USF, plus what I recall of her previously shown works.
In many ways Thompson's technique mimics the medium of cut-out dolls. Remember the die-cut paper costumes that children could dress figures to stage historical or contemporary scenes by folding tabs A, B and C? In Thompson's modern version she overlays costumes on images of her favorite subject, her granddaughter, Isabel.
Often the scenes she creates depict those very special places in the life of children and perhaps can be best described in the words of Elizabeth Goodenough in her book, Secret Spaces of Childhood, a collection of stories and poems which has been a favorite of the artist.
"If you ever constructed a fort out of boxes, chairs and blankets, or lost yourself in the pages of a favorite book, you'll recognize in (Thompson's) landscapes the urge we had as children to hide out, build worlds within our worlds and create spaces as real and potent as any outside the limitless sphere of our younger, inner lives."
Thompson's reflections capture the daydream-like quality of our childhood visions and fantasy worlds, a time when imagination had yet to be banished from reality. To reconstruct that special landscape ... the gardens and wildernesses-tender and terrible-of childhoods heart.
This re-occurring theme of lost innocence dominates her work. One piece, done in the aftermath of 9/11, uses Isabel again as the focus. In this case Thompson has cloaked her in a Native American animal skin with a small American flag in her grasp. Her rosey-cheeked and beaming face is framed by a ring of leaves and large moose antlers. In the background are grazing sheep, cows and geese. Not quite your typical Norman Rockwell.
Another favorite features Isabel with a eye-mask askew, harkening back to the times when trick-or-treaters were free to roam the streets without fear of apples sabotaged with razor blades or worse.
Thompson likes to talk of art in its earliest form, when people scratched images on cave walls in the hope they would be remembered at some later time. This artist has indeed made her mark.
by David Tanner
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Art on Broadway — Tours of 5 downtown venues featuring art from Alexandra Hall, Julie Wall, Peter Lupkin, Daniel Dienelt, Knotodday, Kay Gregg, Terry Ratliff and St. Monci, 5 p.m. Saturday, March 25, Broadway Street, Fort Wayne, free, 417-5925
Beer, Bourbon, Bacon Festival — Unlimited beer sampling from national and regional craft breweries, fine bourbon sampling and bacon inspired treats, 6-9 p.m. Saturday, March 25 (5-9 p.m. VIP), Marquis and Three Rivers Ballrooms, Hotel Fort Wayne, Fort Wayne, $35-$75, 484-0411
An Evening with Author Tom Frank — Author of What’s the Matter with Kansas talks about his new book; hors d’oeuvres, lecture and book signing included in admission, 6 p.m. Saturday, March 25, CS3 Hideaway, Fort Wayne, $15 plus donation, 602-1008
Puttin’ on the Ritz —Active 20-30 club fundraiser with live music from Chris Worth and Company, gourmet edibles, wine and beer, live and silent auctions; black tie optional, 7 p.m. Saturday, March 25, Fort Wayne Museum of Art, Fort Wayne, $50-$90, 450-2844
Shipshewana on the Road — Food, craft and primitives show and sale, 9 a.m.-6 p.m. Saturday, March 25 and 10 a.m.-5 p.m. Sunday, March 26, Allen County War Memorial Coliseum, Fort Wayne, $4, 483-1111
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Big Dick and the Penetrators — Classic rock at Navy Club, Ship 245, New Haven, 7-11 p.m., no cover, 493-4044
Brat Pack — Rat Pack/variety at Nick's Martini & Wine Bar, Fort Wayne, 9 p.m., no cover, 482-6425
Cougar Hunter — 80s glam rock at Vinnie's Bar, Decatur, 10 p.m.-2 a.m., $5, 729-2225
Ellsworth Sharp — Neofolk at Friendly Fox, Fort Wayne, 6:30-8:30 p.m., no cover, 745-3369
FBC Band w/Sheba — Variety/Music and Memories benefit at C2G Music Hall, Fort Wayne , 8 p.m., $7-$15, 426-6434
Fireball Matinee — Rock at Hideaway Lounge, Bluffton, 9 p.m.-12 a.m., no cover, 824-0455
Fleshwounds — Rock at Hamilton House, Hamilton, 9 p.m.-1 a.m., no cover, 488-3344
Fort Wayne Funk Orchestra — Funk at Dupont Bar & Grill, Fort Wayne, 9:30 p.m., cover, 483-1311
Fu5ion — Variety at Mitchell's Sports Bar & Neighborhood Grill, Fort Wayne, 10 p.m.-2 a.m., $3, (260) 387-5063
The Illegals — Rock at O'Sullivan's Italian Irish Pub, Fort Wayne, 10 p.m.-1 a.m., no cover, 422-5896
Joe Stabelli — Jazz at Don Hall's Gas House, Fort Wayne, 5:45-9 p.m., no cover, 426-3411
John Curran & Renegade — Country at Alley Sports Bar, Pro Bowl West, Fort Wayne, 9 p.m.-1 a.m., no cover, 483-4421
Johnny Freakin' Xcitor — Country rock at Beamer's Sports Grill, Fort Wayne, 9:30 p.m.-1:30 a.m., no cover, 625-1002
Kat Bowser — Variety at Don Hall's Guesthouse, Fort Wayne, 9 p.m.-12 a.m., no cover, 489-2524
The Orange Opera w/Mickyle James — Rock at Brass Rail, Fort Wayne, 10 p.m., $5, 267-5303
Prime Suspects — Variety at American Legion Post 499, Fort Wayne, 8-11 p.m., no cover, 483-1368
Quincy and the Q-Tet feat. Phil Potts — Rock/variety at Downtown Eatery & Spirits, Warsaw, 10 p.m.-1 a.m., no cover, (574) 267-6000
Second Nature — Pop at Crazy Pinz, Fort Wayne, 8-11 p.m., no cover, 490-2695
Shannon Persinger Quartet — Jazz/variety at Club Soda, Fort Wayne, 9 p.m.-12 a.m., no cover, 426-3442
Todd Harrold & Nick Bobay Duo — R&B/blues/variety at American Legion Post 148, Fort Wayne, 7 p.m., no cover, 423-4751
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Ambitious Blondes Karaoke — Variety at Office Tavern, Fort Wayne, 10 p.m., no cover, 478-5827
Beat Karaoke & DJ — Variety at American Legion Post 296, Fort Wayne, 8 p.m. , no cover, 456-2988
Bucca Karaoke w/Bucca — Variety at Tower Bar & Grill, Fort Wayne, 10 p.m., no cover, 436-6310
Classic City Karaoke w/Bryan Lee — Karaoke at Corner Pocket Tavern, Fremont, 10 p.m., no cover, 495-9255
Classic City Karaoke w/Tobin — Karaoke at Toad's Tavern, Monroeville, 10 p.m., no cover, 623-6226
DJ Shawn — Karaoke/variety at Club Paradise, Angola, 10 p.m., no cover, 833-7082
Fort Wayne Karaoke — Karaoke at Latch String Bar & Grill, Fort Wayne, 10:30 p.m., no cover, 483-5526
Fort Wayne Karaoke w/Brian — Variety at AJ's Bar and Grill, Fort Wayne, 9 p.m., , 434-1980
Fort Wayne Karaoke w/Josh — Variety at Arena Bar & Grill, Fort Wayne, 10 p.m., no cover, 557-1563
Fort Wayne Karaoke w/TJ — Variety at Chevvy's, Fort Wayne, 10 p.m., no cover, 436-4748
House DJ — Variety at Early Bird's Ultra Lounge, Fort Wayne, 9 p.m., cover, 483-1979
House DJ — Variety at Flashback on the Landing, Fort Wayne, 9 p.m., cover, 422-5292
Karaoke — Variety at Crooner's Karaoke Bar, Fort Wayne, 10 p.m.-3 a.m., no cover, 486-1979
Live DJ — Variety at Wrigley Field Bar & Grill, Fort Wayne, 10 p.m., no cover, 485-1038
Shooting Star Prod. w/Barbie — Variety at Uncle Lou's Steel Mill, Fort Wayne, 10 p.m., no cover, 436-5787
Shooting Star Prod. w/Stu — Variety at Pike's Pub, Fort Wayne, 10 p.m., no cover, 478-6200
Sidecar Gary's Karaoke & DJ — Karaoke at Kville Pub, Kendallville, 9 p.m.-1 a.m., no cover, 348-1677
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The Children’s Hour — Lillian Hellman’s seminal drama about bigotry perpetuated against the LGBT community and how easily a lie can spread, 7:30 p.m. Saturday, March 25, First Presbyterian Theater, Fort Wayne, $12-$20, 426-7421 ext. 121
Getting Sara Married — Comedy about an unmarried lawyer in need of a husband (according to her aunt), 7 p.m. dinner, 8 p.m. curtain, Saturday, March 25, Arena Dinner Theatre, Fort Wayne, $40 (includes dinner & show), 424-5622
One Foot in the Gravy — Howard Kingkade’s comedy and winner of Fort Wayne Civic Theatre’s Northeast Indiana Playwright Festival, 8 p.m. Saturday, March 25; 2 p.m. Sunday, March 26, Arts United Center, Fort Wayne, $10-$20, 422-4226
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22nd Annual Valentine’s Invitational — Works from local and national artists, Tuesday-Saturday and by appointment thru March 31, Castle Gallery Fine Art, Fort Wayne, 426-6568
2017 Scholastic Art & Writing Awards — Award-winning works from northern Indiana and northwest Ohio middle and high school students, Tuesday-Sunday thru April 9, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Afros: A Celebration of African Hair by Michael July — Contemporary photography exhibit by Brooklyn author/photographer, daily thru April 14, D’Agostino Art Gallery, Indiana Tech, Fort Wayne, 399-8626
An Artful Spring — Works by Gwen Gutwein, Patricia Weiss, Austin Cartwright and more, Tuesday-Saturday thru March 31, Crestwoods Frame Shop & Gallery, Roanoke, 672-2080
Decatur Sculpture Tour — 31 original sculptures and 15 permanent exhibits on display, walking tour maps available, thru April 1, Decatur, free, 724-2605
Echolilia — Works from Timothy Archibald and his autistic son, Eli, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Entropy — Daniel Swartz solo exhibition explores relationship between death and mourning through combinations of mythology, mathematics, multi-dimensional physics and pop culture, Monday-Saturday thru April 1, Jennifer Ford Art, Fort Wayne, 740-1309
Diane Allen Groenert — Exhibition of local artist’s Downtown Series and new works, Monday-Saturday thru June 24, West Central Microcreamery & Cafe, Fort Wayne, 415-9293
Expressions of Existence — An exhibition of works by artists through history, including Jackson Pollock, Andy Warhol, Francisco Goya and others whose works have been influenced by disabilities, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Fort Wayne Artist Guild Exhibitions — Works by Alice Siefert at Aldersgate United Methodist Church, Jennifer Caudel at Allen County Retinal Surgeons, Anita Trick, Citizens Square (2nd and 3rd floors), Darlene Selzer Miller at The Einhaus Group for Women’s Health, Patricia Weiss at Heritage of Fort Wayne, Emily Jane Butler at Ophthalmology Consultants (Southwest), Linda Binek at Ophthalmology Consultants (North), Carolyn Stachera at Rehabilitation Hospital of Fort Wayne, John Kelty at ResCare Inc. Adult Day Service, Wiletta Blevins at Town House Retirement, Karen Bixler at Visiting Nurse Hospice and Barb Yoder and Karen Harvey at Will Jewelers, thru April 30, fortwayneartistguild.org.
Fort Wayne Photographers Club — Exhibition featuring local photographers, Tuesday-Sunday thru April 30, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Garden Party — Garden-themed works in a variety of mediums from over 30 local artists, Monday-Saturday thru March 31, Orchard Gallery of Fine Art, Fort Wayne, 436-0927
Generations: A View of Who Was Who — Works by Romare Bearden, Kara Walker, Alma Thomas, Jacob Lawrence and other African-American artists, Tuesday-Sunday thru April 9, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Glass: A Medium in Art and Automobiles — Dale Chihuly blown glass and fiberglass auto, daily thru Sept. 8, Auburn Cord Duesenberg Museum, Auburn, $7.50-$12.50, 925-1444
A Mary Poppins Garden Party — Child-oriented garden exhibit, Tuesday-Sunday thru April 1, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Moments in Time: Reflecting on the Human Spirit — Elizabeth Opalenik photographs from her recent Amish series A Journey Home and her Reflecting on the Edge exhibition, daily thru March 26, Visual Arts Gallery, IPFW, Fort Wayne, 481-6709
Outdoor Sculpture Invitational — Fifteen outdoor sculptures from regional artists, daily thru April 30, School of Creative Arts campus, University of Saint Francis North Campus, Fort Wayne, 399-7999
RAW. Untamed. Unashamed. Visions of Freedom. — Abstract romanticist works in acrylics and epoxy from Kristy Jahn, Fridays and Saturday-Thursday by appointment thru March 25, The Gallery at Pranayoga, Fort Wayne, 423-9642
Sharon — An exhibition of Leon Borensztein photographs chronicling the struggles he faced raising his severely disabled daughter, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Wabash County Schools Exhibition — Works by high school art students, daily thru April 16, Clark Gallery, Honeywell Center, Wabash, 563-1102