Down the sidewalk, up the stairs, down the hall and into the studio, an artist practices his craft in a downtown studio using materials to experiment with concepts and materials that, at least in these parts, are out of the norm. Inside the studio, two tall columns of clear, plastic bags seal and protect long lengths of yarn that loop and twist into mangled nests. Each bag contains a dismantled sculpture created by an artist who describes his work as “delicate and temporal.”
Gregor Roth uses black and grey yarn to create the illusion of volume. In January 2013 he created a site-specific installation within the Allen County Public Library’s Jeffrey R. Krull Gallery. Parallel lines stretched from one side of the room to the other, connecting in such a way that allowed Roth to develop “structural drawings in space” which he conceptualized and built during business hours, all the while watching people walk past and even through his work.
“I like to play off the space that I’m inside of,” says Roth, whose goal is to change a visual form into something in which viewers can participate. Walk into a gallery housing his work and you literally walk into Roth’s sculpture. With yarn lines that stretch from wall to wall, his sculptures envelop you physically, challenging you to simply reconsider a space that has possibly become ordinary.
The decision to use only black and grey yarn keeps the viewer’s focus on the forms. The dark lines allude to graphite, a material Roth is extremely familiar with. Roth’s sculpture evolves from his strong foundation in drawing. Working with a two-dimensional medium, he seeks to create drawings that appear sculptural.
“I’ve always wanted people to look at what I do and feel as though they could be inside it,” he explains.
Roth started drawing as a child.
“My dad showed me how to draw the cube when I was five, and I was hooked,” he says. In college he was inspired by Michelangelo’s figurative work because of its sculptural quality.
“The drawings look as though you could pick them up and turn them around,” he says.
Roth’s command of pencil allows him to execute any thoughts he may conceive. As cool jazz notes permeate his studio, he steps across the room to retrieve one of the many sketchbooks he has collected, each one filled with drawings that record ideas and concepts left to simmer and fully develop when the time is right. He opens the book to share a page he sketched during a visit to the Guggenheim in New York City. While contemplating the display there, Roth found himself more interested in the shadows cast in the sunlit atrium of the museum than the featured exhibit, and he sat down to draw and capture the unusual shapes in his book.
Roth let the idea rest for two years. In June 2013, he hung large sheets of paper down his studio walls and enlarged the shadow-shapes, drawing them on a grand scale. Intrigue with volume and space pulled his creative process farther along and led him to transfer the now giant shadows onto sculptural material. Working through a “progression and investigation of size and volume,” Roth carefully cut the shapes from sheets of construction Styrofoam, making sure to work carefully around the delicate sections that could easily snap themselves off. After painting the pieces in gray and black, Roth realized his sculptures projected a cold vibe he describes as “lonely, old and forgotten.” With a bit of added texture and a switch to yellow paint, he changed the emotion of his work to “warm and inviting, all with the use of color.”
While 2D drawings led Roth to create sculptures with yarn and the flat shadows captured from the Guggenheim led him to construct larger-than-life 3D forms, his process often works in reverse.
Strips of paper towels pulled from the roll hang on the wall opposing his sculptures where Roth is recording his interpretations of form on a flat surface. Paper toweling allows Roth to make his drawings as long as he wants, and the texture lends itself perfectly to grabbing pigmented particles of chalk, colored pencil and ink. The chalk is applied with cotton balls.
“I’m trying to stay fluid and loose with these, adding chalk first, then pencil and finally pen. I like to explore new materials,” he explains.
Conversation led Roth to pull out another sketchbook, this one handmade with tiny stitches binding the edges of the cover that held together a collection of accordion-folded pages. Unfolding these pages led Roth to open yet another book, this one made in Tibet and filled with handcrafted paper. Roth’s work is driven by the documentation and personal reflection he records in his books.
“I like documentation. Document everything,” he says. “You never know when you need to go back and draw upon something.
“Documentation also brings clarification and promotes growth overall. I think it is important to write in relation to the work you are creating. I ask myself, what am I doing with these?”
Roth’s thought process is what sets him apart from many artists. He long ago mastered the ability to draw likenesses with a skill level to impress, but he is more interested in the thought that supports an art piece. Inspired by artists Hans Hoffman and Richard Serra, he became more interested in abstract work and the thinking behind the art. While abstract contemporary work may appear simple and “easy” to an untrained viewer, the thought process leading to new concepts can be grueling and head-spinning.
For example, Roth explains the six principals influencing perception in relation to his Drawing in Space series and defines perception as “a response to factors of concept, space, sculpture and engagement,” before going on to say, “These compose the gestalt of the situation and provide opportunity for individual experience defining a sense of belonging.”
Because contemporary work is often misunderstood, it is also under-appreciated.
“Even more than that,” says Roth, “thinking-art is de-emphasized and devalued.” He stands with conviction alongside many contemporary artists who believe that, just as science is a way of interpreting the world, so is art.
“What separates science from art is that science is wrapped in absolutes of data and equations. An artist looks at other explanations and other ways to see things in a new way by including how we interact with the world.”
Roth is using art as the vehicle to navigate and document his human experience. He often feels isolated as an artist and has yet to find another in this area developing similar concepts. He craves another brain to bounce ideas to.
“For a long time I didn’t understand what I was doing,” he says. “It has been scary, stressful, exciting and liberating.”
As he cycles through work, flowing from 3D to 2D and back again, Roth continues to develop a deeper understanding of our world and takes note of details that most people would never consider examining. He brings forth common bits of life such as shadows or empty space and transforms those things into tangible, visual forms, bringing them to our attention in a way that promotes thought and contemplation. His work invites viewers to participate, explore and contemplate our world.
Roth is an artist who thinks deeply and hopes that he can stimulate the same sort of thought in those who experience his work.
Sunday, December 4, 2016
Click on the headings below for full calendars
Christmas in the Castle — Tours of historic Brookside, the former Bass mansion decorated for the holidays, 12-5 p.m. Sunday, Dec. 4; 4-6 p.m. Monday, Dec. 5 and 12-5 p.m. Tuesday, Dec. 6, Brookside, University of Saint Francis, Fort Wayne, $3-$7, 399-8050
Fantasy of Lights — Drive-thru Christmas lighting displays, 6-9 p.m. daily thru Thursday, Dec. 8; 6-10 p.m. Friday-Saturday, Dec. 9-10; 6-9 p.m. Sunday-Thursday, Dec. 11-15; 6-10 p.m. Friday-Saturday, Dec. 16-17; 6-9 p.m. Sunday-Thursday, Dec. 18-22; 6-10 p.m. Friday-Saturday, Dec. 23-24; 6-9 p.m. Sunday-Wednesday, Dec. 25-29; 6-10 p.m. Friday-Saturday, Dec. 30-31, Franke Park, Fort Wayne, $5-$10 per carload, $10-$15 per 15-passenger van, $25-$30 per bus or trolley, 755-1900
Festival of Gingerbread — Gingerbread creations made by preschoolers through professional baking artists on display, 12-5 p.m. Sunday, Dec. 4 (story telling by United Way’s Real Men Read, 1-3 p.m.); 9 a.m.-5 p.m. Monday-Thursday, Dec. 5-8; 9 a.m.-8 p.m. Friday-Saturday, Dec. 9-10 and 12-5 p.m Sunday, Dec. 11, History Center, Fort Wayne, $4-$6, 426-2882
Great Train Show — Model train exhibition, vendors, train rides and more, 10 a.m.-4 p.m. Sunday, Dec. 4, Allen County War Memorial Coliseum, Fort Wayne, $9-$10, 483-1111
Las Posadas — Performance depicting Mary and Joseph’s journey to find lodging, 5:30 p.m. Sunday, Dec. 4, Pope John Paul II Center, University of Saint Francis, Fort Wayne, free, 399-8050
Lighting of the Lake — Candle lighting vigil of Mirror Lake, 6 p.m. Sunday, Dec. 4, Mirror Lake, University of Saint Francis, Fort Wayne, free, $10 luminaries, 399-8050
A Living Nativity — Live nativity reenacting the first Christmas with petting zoo (petting zoo open 5-5:45 p.m.), 6 p.m. Sunday, Dec. 4, amphitheatre, University of Saint Francis, Fort Wayne, free, 399-8050
Click header for complete On the Road calendar
Blues Jam Hosted byLee Lewis and Friends — Open jam at Checkerz Bar & Grill, Fort Wayne, 6-9 p.m., no cover, 489-0286
IPFW Student Brass Quintet — Brass at Rhinehart Recital Hall, IPFW, Fort Wayne, 7:30 p.m., $4-$7, 481-6555
Smooth Edge 2 — A Capella Christmas at Allen County Public, Fort Wayne, 2-4 p.m., free, 421-1200
Yesterday's Headtrip — Variety at Latch String Bar & Grill, Fort Wayne, 9 p.m.-1 a.m., no cover, 483-5526
Club Paradise — Classic City Karaoke w/Bryan Lee, 9 p.m., 833-7082 , no cover
Wrigley Field Bar & Grill — Karaoke, 10 p.m., 485-1038 , no cover
Wrigley Field Bar & Grill — Three Rivers Karaoke, 10 p.m.-2 a.m., 485-1038 , no cover
It’s a Wonderful Life: A Live Radio Play — Recreation of Frank Capra’s holiday classic as a 1940s radio program, 2 p.m. Sunday, Dec. 4; 7:30 p.m. Saturday, Dec. 10; 6 p.m. Sunday, Dec. 11; 7:30 p.m. Saturday, Dec. 17; 6 p.m. Sunday, Dec. 18, First Presbyterian Theater, Fort Wayne, $12-$20, 426-7421 ext. 121
The Light in the Piazza — Three Rivers Music Theatre musical production, 2 p.m., Sunday, Dec. 4; 8 p.m., Friday, 9; 2 p.m. and 8 p.m., Saturday, Dec. 10; and 2 p.m., Sunday, Dec. 11, Parkview Physicians Group Arts Lab, Auer Center for Arts and Culture, Fort Wayne, $18-$25, 422-4226
The Nutcracker — Fort Wayne Ballet performance of Tchaikovsky’s classic ballet, 2:30 p.m. Sunday, Dec. 4; 7:30 p.m. Tuesday, Dec. 6 and Friday, Dec. 9; 2:30 & 7:30 p.m. Saturday, Dec. 10; 2:30 p.m. Sunday, Dec. 11, Arts United Center, Fort Wayne, $17-$49, 422-4226
Six Characters in Search of an Author — IPFW Department of Theatre’s adaptation of Luigi Prandello’s meta-theatrical masterpiece, 2 p.m. Sunday, Dec. 4; 8 p.m. Thursday-Saturday, Dec. 8-10, Studio Theatre, IPFW, $5-$16 thru IPFW box office 481-6555
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Alexandra Hall — Whimsical painting, giclee print and ink drawings, Tuesday-Sunday thru Dec. 31, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Decatur Sculpture Tour — 31 original sculptures and 15 permanent exhibits on display, walking tour maps available, thru April 1, Decatur, free, 724-2605
Crop It Like It’s Hot — Works from seniors graduating from IPFW’s Department of Visual Communications and Design, Thursday-Sunday thru Dec. 30 , Wunderkammer Company, Fort Wayne, 417-8846
Festival of Wreaths — Holiday exhibition of Christmas wreathes, daily thru Dec. 30, Creative Arts Council, Bluffton, 824-5222.
Fort Wayne, American Monologue — A new body of Fort Wayne-based works by Oakland, California-based artist Brett Armory, Tuesday-Sunday thru Feb. 26, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Holiday Pop-Up Gallery — Works from 12 local artists, Wednesday-Sunday thru Dec. 31 , The Art Farm, Spencerville, 238-4755
John Baeder Takes Wing on a Higher Road — Hyper-realist art from one of the 20th century’s most important artists, Tuesday-Sunday thru Jan 22 , Fort Wayne Museum of Art, $6-$8 (members, free), 422-6467
Nature’s Thread — Works by Nancy Fritz and Lizabeth Yager, daily thru Jan. 16, 2017, The Gallery at Pranayoga School, Fort Wayne, 423-9642
Outdoor Sculpture Invitational — Fifteen outdoor sculptures from regional artists, daily thru April 30, School of Creative Arts campus, University of Saint Francis North Campus, Fort Wayne, 399-7999
Regional Art Educators’ Exhibition — Works from educators in secondary school art education, daily thru Dec. 8, Visual Arts Gallery, IPFW, Fort Wayne, 481-6977
Robert Kipniss: The Whispering Light — Recent painted and printed works by American artist, Tuesday-Sunday thru Jan. 22, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Artlink Educational Programs — Art classes offered by Artlink Contemporary Art Gallery, dates and times vary, Artlink, Fort Wayne, fees vary, 424-7195
Fort Wayne Dance Collective Workshops — Workshops and classes for movement, dance, yoga and more offered by Fort Wayne Dance Collective, dates and times vary, Fort Wayne Dance Collective, Fort Wayne, fees vary, 424-6574
IPFW Community Arts Academy— Art, dance, music and theater classes for grades pre-K through 12 offered by IPFW College of Visual and Performing Arts, fees vary, 481-6977, www.ipfw.edu/caa
Sweetwater Academy of Music — Private lessons for a variety of instruments available from professional instructors, ongoing weekly lessons, Sweetwater Sound, Fort Wayne, call for pricing, 432-8176, academy.sweetwater.com