I figure at least on some days illustrator/musician Chris Pyle awakens to a universe populated by edgy, cartoonish musicians and singers. They appear floating against an opaque backdrop colored by the sounds generated from improvised riffs. Adjusting his black, retro horn-rimmed glasses, Pyle glides to his Pearl drum set and joins the jam session.
I haven't figured out yet how Pyle responds in this little scenario when he's addressed by one of the be-bop characters. Does he answer like Gerald McBoing Boing might with the soft sound of brush on snare (ka-ka-chu, ka-ka-chu) or the muffled boom of pedal against bass drum (ka-boom, ka-boom)? Or does he in fact respond, "Cool, man" in a Daddy-O-Hip font?
Whatever my bizarre projections, Pyle does view the world from a hipsterís perspective, minus any of the inferred skepticism. He has created a genre of work in a style which has caught the eye of art directors, earning him commissions from Rolling Stone, Newsweek, Entertainment Weekly, Time and Sports Illustrated.
He's also done covers for The Manhattan Transfer and their homage CD to Louis Armstrong, The Spirit of St. Louis, for Atlantic Records, as well as a half-dozen or more for Verve. His jazz portraits and images are closely associated with the Playboy Jazz Festival and most recently he designed the poster for this summer's Indy Jazz Fest.
Aside from occasional student exhibitions or advertising-industry awards shows, Fort Wayne doesn't regularly highlight the efforts of designers, typographers, illustrators and other practitioners of the applied graphic arts, so it's nice to see Jody Hemphill Smith include a sampling of one of the most sought-after illustrators around. The Castle Galleryís exhibition, featuring a selection of Pyle's gouaches and pastels, runs through September at 1202 W. Wayne Street.
It's nigh-on impossible not to be derivative these days, but Pyle fights hard to make a rare case for uniqueness and originality. This self-taught, 45-year-old dual-careerist will tell you his graphic influences range from Picasso to Tex Avery to tire advertisements. Look closely and you can also find elements of Calder, Klee, Kandinsky and Matisse.
"You aren't the first to suggest a connection with Klee," Pyle said by telephone from his near-Indianapolis studio in Irvington. "And now, as when I first heard the comparison, I'm humbled. Even more so when I saw certain affinities and marveled at how two people separated by time and circumstance could come across a similar language."
Made by chance or unconscious choice, the connection becomes stronger when you factor in a shared appreciation for music and color. Much of what Kandinsky and Klee (both accomplished musicians) taught at the Bauhaus established the linkage of color and musical harmony. Pyle's color schemes appear to adhere to such theories, stimulating the ear as well as the eye, be it hue and pitch or saturation and volume.
"Gouache is kind of an obscure medium, used mostly by animators and designers, but it suits my color ideas and over the past 10 years or so I've developed some techniques that work for what I do," explained Pyle, who was born and raised in Richmond where he remembers hanging around the Earlham campus and meeting people from around the country through his music.
The same child-like fantasy, surrealism and even metaphysics associated with the Russian and Swiss painters are likewise revisited in some of Pyle's pieces. Others contain the fluid movement, organic construction, geometric patterns and pictographic imagery common to their predecessors.
"I actually began painting as a child. Encouraged by my mother, I took some classes alongside adults when I was 12 or so and really enjoyed it. Later, as I got into high school, I shifted my interests to music and played with rock bands. I pretty much continued to play until the mid-80s when the traveling got to me and after my son was born," said Pyle, who still plays with various jazz groups around Indianapolis and finds work as a studio drummer, including a regular gig as the staff drummer for Bob and Tom.
"Once I left the road, I was forced to find a more stable revenue source, and I returned to my painting. I think I spent the next five years living at the library, researching and educating myself in art history and illustration. Eventually I got a few commissions through ad agencies and magazines and I've kept busy since then."
Overall, Pyle's work is less a take-off of any single painterly school or artist and more of an enchanting stage setting in which his subject some, brand-new creations, others, caricatures of real people enjoy a solipsistic existence. It's difficult not to associate their mega swell, ultra-collio look with the animated cartoons of an earlier era, specifically those of the 40s and 50s and the work of the UPA artists.
Avery, one of Pyle's favorites, was a key member of a talented pool of animators and artists who left the oppressive environment of pre-war Disney, then skewered its anthropomorphic characters and much of American culture. It was Avery, along with others, who gave us 'The Wolf,' 'Daffy Duck,' 'Porky Pig' and 'Bugs Bunny.'
Even more of an influence has to be the later work of the UPA studio stable hands, who took Dr. Suess' Gerald McBoing Boing from book to the big screen and won an Academy Award in 1954, followed a few years later with Mr. Magoo. Characterized by spare lines and a sleek, modernistic style, these classics are most undoubtedly wherein Pyle draws his inspiration and solace.
Pyle's reputation for capturing the nuances of music, particularly jazz, in his illustrations and portraits has earned him a special invitation from the Richmond Art Museum, which is mounting a major exhibition of jazz and art scheduled for June 2002.
No doubt one of the 30 pieces he will show will be The Manhattan Transfer CD cover which celebrates Louis Armstrong. It was in Richmond in April, 1923, that Satchmo made his first recordings with King Oliver's Creole Jazz Band for the Gennett label.
by David Tanner
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Art on Broadway — Tours of 5 downtown venues featuring art from Alexandra Hall, Julie Wall, Peter Lupkin, Daniel Dienelt, Knotodday, Kay Gregg, Terry Ratliff and St. Monci, 5 p.m. Saturday, March 25, Broadway Street, Fort Wayne, free, 417-5925
Beer, Bourbon, Bacon Festival — Unlimited beer sampling from national and regional craft breweries, fine bourbon sampling and bacon inspired treats, 6-9 p.m. Saturday, March 25 (5-9 p.m. VIP), Marquis and Three Rivers Ballrooms, Hotel Fort Wayne, Fort Wayne, $35-$75, 484-0411
An Evening with Author Tom Frank — Author of What’s the Matter with Kansas talks about his new book; hors d’oeuvres, lecture and book signing included in admission, 6 p.m. Saturday, March 25, CS3 Hideaway, Fort Wayne, $15 plus donation, 602-1008
Puttin’ on the Ritz —Active 20-30 club fundraiser with live music from Chris Worth and Company, gourmet edibles, wine and beer, live and silent auctions; black tie optional, 7 p.m. Saturday, March 25, Fort Wayne Museum of Art, Fort Wayne, $50-$90, 450-2844
Shipshewana on the Road — Food, craft and primitives show and sale, 9 a.m.-6 p.m. Saturday, March 25 and 10 a.m.-5 p.m. Sunday, March 26, Allen County War Memorial Coliseum, Fort Wayne, $4, 483-1111
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Big Dick and the Penetrators — Classic rock at Navy Club, Ship 245, New Haven, 7-11 p.m., no cover, 493-4044
Brat Pack — Rat Pack/variety at Nick's Martini & Wine Bar, Fort Wayne, 9 p.m., no cover, 482-6425
Cougar Hunter — 80s glam rock at Vinnie's Bar, Decatur, 10 p.m.-2 a.m., $5, 729-2225
Ellsworth Sharp — Neofolk at Friendly Fox, Fort Wayne, 6:30-8:30 p.m., no cover, 745-3369
FBC Band w/Sheba — Variety/Music and Memories benefit at C2G Music Hall, Fort Wayne , 8 p.m., $7-$15, 426-6434
Fireball Matinee — Rock at Hideaway Lounge, Bluffton, 9 p.m.-12 a.m., no cover, 824-0455
Fleshwounds — Rock at Hamilton House, Hamilton, 9 p.m.-1 a.m., no cover, 488-3344
Fort Wayne Funk Orchestra — Funk at Dupont Bar & Grill, Fort Wayne, 9:30 p.m., cover, 483-1311
Fu5ion — Variety at Mitchell's Sports Bar & Neighborhood Grill, Fort Wayne, 10 p.m.-2 a.m., $3, (260) 387-5063
The Illegals — Rock at O'Sullivan's Italian Irish Pub, Fort Wayne, 10 p.m.-1 a.m., no cover, 422-5896
Joe Stabelli — Jazz at Don Hall's Gas House, Fort Wayne, 5:45-9 p.m., no cover, 426-3411
John Curran & Renegade — Country at Alley Sports Bar, Pro Bowl West, Fort Wayne, 9 p.m.-1 a.m., no cover, 483-4421
Johnny Freakin' Xcitor — Country rock at Beamer's Sports Grill, Fort Wayne, 9:30 p.m.-1:30 a.m., no cover, 625-1002
Kat Bowser — Variety at Don Hall's Guesthouse, Fort Wayne, 9 p.m.-12 a.m., no cover, 489-2524
The Orange Opera w/Mickyle James — Rock at Brass Rail, Fort Wayne, 10 p.m., $5, 267-5303
Prime Suspects — Variety at American Legion Post 499, Fort Wayne, 8-11 p.m., no cover, 483-1368
Quincy and the Q-Tet feat. Phil Potts — Rock/variety at Downtown Eatery & Spirits, Warsaw, 10 p.m.-1 a.m., no cover, (574) 267-6000
Second Nature — Pop at Crazy Pinz, Fort Wayne, 8-11 p.m., no cover, 490-2695
Shannon Persinger Quartet — Jazz/variety at Club Soda, Fort Wayne, 9 p.m.-12 a.m., no cover, 426-3442
Todd Harrold & Nick Bobay Duo — R&B/blues/variety at American Legion Post 148, Fort Wayne, 7 p.m., no cover, 423-4751
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Ambitious Blondes Karaoke — Variety at Office Tavern, Fort Wayne, 10 p.m., no cover, 478-5827
Beat Karaoke & DJ — Variety at American Legion Post 296, Fort Wayne, 8 p.m. , no cover, 456-2988
Bucca Karaoke w/Bucca — Variety at Tower Bar & Grill, Fort Wayne, 10 p.m., no cover, 436-6310
Classic City Karaoke w/Bryan Lee — Karaoke at Corner Pocket Tavern, Fremont, 10 p.m., no cover, 495-9255
Classic City Karaoke w/Tobin — Karaoke at Toad's Tavern, Monroeville, 10 p.m., no cover, 623-6226
DJ Shawn — Karaoke/variety at Club Paradise, Angola, 10 p.m., no cover, 833-7082
Fort Wayne Karaoke — Karaoke at Latch String Bar & Grill, Fort Wayne, 10:30 p.m., no cover, 483-5526
Fort Wayne Karaoke w/Brian — Variety at AJ's Bar and Grill, Fort Wayne, 9 p.m., , 434-1980
Fort Wayne Karaoke w/Josh — Variety at Arena Bar & Grill, Fort Wayne, 10 p.m., no cover, 557-1563
Fort Wayne Karaoke w/TJ — Variety at Chevvy's, Fort Wayne, 10 p.m., no cover, 436-4748
House DJ — Variety at Early Bird's Ultra Lounge, Fort Wayne, 9 p.m., cover, 483-1979
House DJ — Variety at Flashback on the Landing, Fort Wayne, 9 p.m., cover, 422-5292
Karaoke — Variety at Crooner's Karaoke Bar, Fort Wayne, 10 p.m.-3 a.m., no cover, 486-1979
Live DJ — Variety at Wrigley Field Bar & Grill, Fort Wayne, 10 p.m., no cover, 485-1038
Shooting Star Prod. w/Barbie — Variety at Uncle Lou's Steel Mill, Fort Wayne, 10 p.m., no cover, 436-5787
Shooting Star Prod. w/Stu — Variety at Pike's Pub, Fort Wayne, 10 p.m., no cover, 478-6200
Sidecar Gary's Karaoke & DJ — Karaoke at Kville Pub, Kendallville, 9 p.m.-1 a.m., no cover, 348-1677
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The Children’s Hour — Lillian Hellman’s seminal drama about bigotry perpetuated against the LGBT community and how easily a lie can spread, 7:30 p.m. Saturday, March 25, First Presbyterian Theater, Fort Wayne, $12-$20, 426-7421 ext. 121
Getting Sara Married — Comedy about an unmarried lawyer in need of a husband (according to her aunt), 7 p.m. dinner, 8 p.m. curtain, Saturday, March 25, Arena Dinner Theatre, Fort Wayne, $40 (includes dinner & show), 424-5622
One Foot in the Gravy — Howard Kingkade’s comedy and winner of Fort Wayne Civic Theatre’s Northeast Indiana Playwright Festival, 8 p.m. Saturday, March 25; 2 p.m. Sunday, March 26, Arts United Center, Fort Wayne, $10-$20, 422-4226
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22nd Annual Valentine’s Invitational — Works from local and national artists, Tuesday-Saturday and by appointment thru March 31, Castle Gallery Fine Art, Fort Wayne, 426-6568
2017 Scholastic Art & Writing Awards — Award-winning works from northern Indiana and northwest Ohio middle and high school students, Tuesday-Sunday thru April 9, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Afros: A Celebration of African Hair by Michael July — Contemporary photography exhibit by Brooklyn author/photographer, daily thru April 14, D’Agostino Art Gallery, Indiana Tech, Fort Wayne, 399-8626
An Artful Spring — Works by Gwen Gutwein, Patricia Weiss, Austin Cartwright and more, Tuesday-Saturday thru March 31, Crestwoods Frame Shop & Gallery, Roanoke, 672-2080
Decatur Sculpture Tour — 31 original sculptures and 15 permanent exhibits on display, walking tour maps available, thru April 1, Decatur, free, 724-2605
Echolilia — Works from Timothy Archibald and his autistic son, Eli, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Entropy — Daniel Swartz solo exhibition explores relationship between death and mourning through combinations of mythology, mathematics, multi-dimensional physics and pop culture, Monday-Saturday thru April 1, Jennifer Ford Art, Fort Wayne, 740-1309
Diane Allen Groenert — Exhibition of local artist’s Downtown Series and new works, Monday-Saturday thru June 24, West Central Microcreamery & Cafe, Fort Wayne, 415-9293
Expressions of Existence — An exhibition of works by artists through history, including Jackson Pollock, Andy Warhol, Francisco Goya and others whose works have been influenced by disabilities, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Fort Wayne Artist Guild Exhibitions — Works by Alice Siefert at Aldersgate United Methodist Church, Jennifer Caudel at Allen County Retinal Surgeons, Anita Trick, Citizens Square (2nd and 3rd floors), Darlene Selzer Miller at The Einhaus Group for Women’s Health, Patricia Weiss at Heritage of Fort Wayne, Emily Jane Butler at Ophthalmology Consultants (Southwest), Linda Binek at Ophthalmology Consultants (North), Carolyn Stachera at Rehabilitation Hospital of Fort Wayne, John Kelty at ResCare Inc. Adult Day Service, Wiletta Blevins at Town House Retirement, Karen Bixler at Visiting Nurse Hospice and Barb Yoder and Karen Harvey at Will Jewelers, thru April 30, fortwayneartistguild.org.
Fort Wayne Photographers Club — Exhibition featuring local photographers, Tuesday-Sunday thru April 30, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Garden Party — Garden-themed works in a variety of mediums from over 30 local artists, Monday-Saturday thru March 31, Orchard Gallery of Fine Art, Fort Wayne, 436-0927
Generations: A View of Who Was Who — Works by Romare Bearden, Kara Walker, Alma Thomas, Jacob Lawrence and other African-American artists, Tuesday-Sunday thru April 9, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Glass: A Medium in Art and Automobiles — Dale Chihuly blown glass and fiberglass auto, daily thru Sept. 8, Auburn Cord Duesenberg Museum, Auburn, $7.50-$12.50, 925-1444
A Mary Poppins Garden Party — Child-oriented garden exhibit, Tuesday-Sunday thru April 1, Foellinger-Freimann Botanical Conservatory, Fort Wayne, $3-$5 (2 and under, free), 427-6440
Moments in Time: Reflecting on the Human Spirit — Elizabeth Opalenik photographs from her recent Amish series A Journey Home and her Reflecting on the Edge exhibition, daily thru March 26, Visual Arts Gallery, IPFW, Fort Wayne, 481-6709
Outdoor Sculpture Invitational — Fifteen outdoor sculptures from regional artists, daily thru April 30, School of Creative Arts campus, University of Saint Francis North Campus, Fort Wayne, 399-7999
RAW. Untamed. Unashamed. Visions of Freedom. — Abstract romanticist works in acrylics and epoxy from Kristy Jahn, Fridays and Saturday-Thursday by appointment thru March 25, The Gallery at Pranayoga, Fort Wayne, 423-9642
Sharon — An exhibition of Leon Borensztein photographs chronicling the struggles he faced raising his severely disabled daughter, Tuesday-Sunday thru June 11, Fort Wayne Museum of Art, $5-$7 (members, free), 422-6467
Wabash County Schools Exhibition — Works by high school art students, daily thru April 16, Clark Gallery, Honeywell Center, Wabash, 563-1102